On the weekend of June 5 -7 Montserrat College of Art hosted the Third National Encaustic Conference, the only conference of it's kind. The Conference was conceptualized and founded by Montserrat Faculty member and nationally recognized encaustic artist Joanne Mattera. This year over 200 artists from the US, Canada, Mexico, Puerto Rico, Iceland, Ireland and France came together to the Montserrat College of Art campus for three days of conference talks and demos, and many stayed on for an additional three days of post-conference workshops. Please visit the Conference Blog for a full list of guest speakers and conference activities. Accompanying the conference were four on- campus juried or curated shows of strictly encaustic work. Details about these shows can be seen at the gallery website.

Installation View of "In the Round: New Work by Kim Bernard and Deborah Kapoor"
The fact that artists from around the globe are attending this event year after year, speaks not only to the importance of the conference, but to the draw that Beverly, Massachusetts and Montserrat College of Art has on whoever steps on campus.

Kim Bernard, Unraveling, 2009, encaustic, cotton & plaster
About Encaustic:
Unlike oil paint, in which pigment is suspended in linseed oil, or acrylic, in which the pigment is suspended in polymer medium, encaustic paint is pigment suspended in beeswax. The paint is applied hot with a variety of tools, then cools and hardens within seconds. Encaustic is known for its endless versatility. Multiple layers of paint and clear wax create overlapping color and amazing depth: the medium can be textured, scraped, incised, etched, combed, embossed, sculpted into three dimensions or smoothed to an enamel-like finish. Its molten natures can be used for collaging or imbedding mixed media into the wax; since beeswax is compatible with oil paint, oil pigment sticks can be used to glaze in rich color or to fill in incised markings.
Encaustic is actually one of the world's most ancient and archival painting mediums, predating oil paint. The Fayum portraits from Grego-Roman Egypt, circa 100 B.C. to 200 A.D., have survived through the centuries. Encaustic was virtually a lost art until pioneer Jasper Johns began contemporary encaustic painting in 1954, exposing it to a new generation of artists. Many artists believe that we are now at the start of another encaustic renaissance.


